The individual urchins were each made as a separate unit, using templates and appli-piecing (Caryl Bryer Fallert-Gentry's method).
|Detail from sketch -- used to trace to make the pattern|
|Close up of appli-pieced urchin - stitched on folded under edge with 100wt silk|
I auditioned several possible backgrounds, and settled on the yellow-ish batik.
The urchins were positioned on the background, and machine appliqued in place. The top was misty-fused to cotton batting, with extra wool trapunto under the urchins in preparation for hand stitching, which is much easier without the quilt back in place. Knots are easily buried in the batting from the back. I used hand-dyed #8 Perl cotton from Laura Wasilowski. After hand-stitching, I added the backing fabric and auditioned quilting ideas.
|Dresden Echinoderms (12" by 12")|
I love how this turned out -- it definitely matches my vision -- and was a lot of fun to make. Every step had lots of choices and challenges.
The auction will be open for bidding in September. Bid early and high. ;-)
Thanks for reading.
Addendum: Unlike the urchin appliques, which were added to the top, the clumps of sea weed were added after the quilt was more or less finished and I forgot to change the bobbin from gray (used for piecing another project and shown on the right below) back to the yellow-ish color used for quilting (center below). It stuck like a sore thumb. As you can see, in the sample below (left), a little Tsukineko ink magic fixed the problem -- now you cannot tell.
Update: The quilt did not sell in the main SAQA auction, but I found out at IQF Houston 2019 SAQA exhibit that it did sell in the online post-auction sale area. Yeah!!